Orman*Williams

Overused made fresh

What the company does
Helps startups establish offshore businesses and offices.

What designers did
Designed a distinctive brand communication by adding a twist to the common method of using diacritical marks, transforming them into pictograms (e.g. emojis).

Verbal Identity

Naming

Orman*Williams

Brand Anthem

Õffshore? Õf course
Abroad operations depend on regional lore, navigating through foreign laws, customs, traditions, mindsets and folkways. We are the guides who help you feel local, even far away.

Tagline

Local away

Supportive Copy

Pictograms:

Overseas — ã, ẽ, ĩ, ñ, õ, ũ, ỹ
Location — ǎ, č, ĕ, ğ, ȟ, ĭ, ǰ, ǩ, ň, ŏ, ř, š, ŭ, ž
Culture — å, ǭ, ů, ŧ
Contrast — ǝ, ƨ
Emotions — ö, ü
Stability — ā, ē, ī, ō, ū, ȳ
Negation — ⱥ, ł, ꞥ, ø
Growth — â, ĉ, ê, ĝ, ĥ, î, ĵ, ô, ŝ, û, ŵ, ŷ
Speech — ȁ, ȅ, ȉ, ȑ, ȕ

Content copy:

Cross-culŧural adapters
Orman*Williams supports young companies in building engineering teams in talent-rich regions worldwide.
We believe that while talent is widely distributed, opportunities are not. Our mission is to bridge this gap by simplifying the process for ambitious startups to establish offshore offices and hire superstar engineers.

Making the wørk wörk
In the lands of plenty, efficiency requires understanding the natives. This is where we come in with our local knowledge of working effectively with superstar foreign talents.

What's interesting

Finding a typeface with a complete set of diacritical marks proved to be quite a challenge.

What's interesting

Originally, the concept featured diverse global alphabets in all text. In the final version, to improve readability, special characters were limited to headings only.

What's interesting

The founders of O*W, as well as Fourthwall (which is also in our portfolio), are brothers.

Designer’s insight

“I wanted to use diacritics in an original way, since they are so commonly used. I noticed that most of the time they are used in a generic way, either randomly or to point out nationality, essentially as a localiser. So I came up with the idea of turning them into pictograms and emojis instead. This gave the marks a new character, so to speak. Analysing alphabets, I looked for symbols that are commonly recognisable or can be used in a playful, artistic way, like with emoji faces, or a wave that fits offshoring. Without this logic the brand would have been quite generic, so I'm very pleased with the result.”

— Mariusz Ruciński,
Brand Identity Architect + Verbal Designer

Some people say things you'd never believe

Summary

What is the company's profile

Orman*Williams is a consulting firm aiding US startups in establishing offshore offices, mainly in the IT sector. The company prides itself on understanding local customs and traditions of locations they recommend, making them guides and cultural assimilators – something most of their competitors lack.

What is the extent of tasks

A    Brand Personality (Market Landscape Analysis, Current Brand Analysis, Industry Analysis, Corporate Culture Analysis, Company Analysis, Product/Service Analysis, The Big Idea, Brand Positioning, Brand Strategy, Brand Story, Brand Character).

B    Brand Language (Domain Naming, Slogans/Claims, Key Messaging, Descriptor, Tagline, Brand Tone & Voice, Brand, Brand Statement, Brand Storytelling, Brand Anthem, Brand Sales Writing).

C    Consulting.

What are the objectives

A    To create an immediate association with cultural diversity.

B    To give the brand communication a distinctive style or an unusual atmosphere.

C    To maintain a formal element that instils confidence in the consulting firm.

How the company’s objectives were achieved

A    The decision to use diacritics appeared the most intuitive way to represent cultural diversity. However, recognising this as a common approach, the team sought to innovate further. Their solution: transforming selected letters into pictograms, dubbed 'picritics'.

B    These pictorial elements now enhance the brand's phrasing, including slogans and headlines, thereby strengthening written language with visual components. The resulting style of brand communication is both distinctive and pragmatic, underpinned by clear logic. Whilst reinforcing words with visual representations has become commonplace on social media, this design uniquely merges these elements into a single, elegant form.

C    The suggested approach to maintain a formal image for brand credibility was ultimately rejected, as it diverged too far from the distinctive use of pictograms. Instead, to uphold brand consistency and project authority, the tone of voice was crafted to reflect the consultants' commitment, professionalism, and experience. This strategy achieved the desired credibility without resorting to visual conventions typical of corporations or law firms.

Authors

Brand Identity Concept + Positioning:
Mariusz Ruciński

Verbal Identity + Copywriting:
Mariusz Ruciński

Graphic Design:
Grzegorz S*

Operational Management:
Grzegorz Derlukiewicz

*For personal issues, the designer requested to remain anonymous.
**The following case study is published under a licence from the copyright owners and reflects the authorship of our team in cooperation with another studio.

Results

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